Zuriñe F. Gerenabarrena
Zuriñe F. Gerenabarrena studied composition with C.Bernaola and Franco Donatoni. International forums: Contemporary Music FBBV, Quincena Musical, SINKRO, Bernaola Festival, PHONOS, Festival Synthése, BKA Theather, Pyramidale, Sonoimágenes, Visiones Sonoras, EMU Festival, Elektrophonie, Musica Viva, Borealis, Musiques & Recherches, eviMus, “Down the Dori” (TWSTokyo), EAM Festen Frost, 7o Musica Electric Nova, MUSLAB, NYCEMF 2017, BIFEM 2017, Noh X Contemporary Music, SICMF 2018 (Seoul), Matera/Intermedia 2018 (Prize Acousmatic), Musica Nova 2018 (Honoray Mention), San Francisco Tape Music , Mise-En Music Festival 2019, (ICMC/NYCEM (NY), Atemporánea Festival, Helicotrema Festival, Ecos Urbanos, arteScienza, MUSICA (Strasbourg),SAMPO (reidence-winer), The Sound Beanch (Udine,-Stockholm Winer), TAma Music (Japan), Turn-Up Multimedia Festival (Arizona),Epicentros Festival (Saint Petersburg), En Chair et En Son (Paris), Festival Musique Démesurèes(Clermont-Ferrand), MediSoup (Chipre), Festival Contemporary Computer MusicCCMC(Tokyo), Humboldt Freiburger Holf,… Works edited by Avantus and Tritó Edition
She treats the evolution of sound in time in a very free way, so her music is presented with gestures and notes that break in a labyrinth like discourse, renewing in time to later base themselves on the timbre as an structural element. It is worth mentioning the importance of the use of the electronic means, which transform the soundscape and go deep into the possibilities of transforming into a thought to end reaching her instrumental and vocal work.
Artist in residence: LEC (Lisbon, USF. Bergen (Norway), VICC, (Sweden), Tokyo Wonder Site (Japan), Shiro Oni (Japan), ZHdk ICST (Zurich), EMS (Stockholm), NOTAM (Oslo), Djerassi (California).
Professor of Counterpoint, Harmony, Electronic, Master Degree in Contemporary Music Creation,MUSIKENE.
www.zfgerenabarrena.com
