On Air – On Site
Featured Transmission(s):
  • Aired on May 23rd 07:00 CEST 2026
  • S.22
  • Genre: Electroacoustic music
  • Duration: 15 min
  • Memory, grief, and resilience. S.22 approaches these concepts in a melancholic way, exploring the concept of time. It's about perceiving the world from a melancholic perspective. It's about relationships, things, and environments that are lost forever or nearly lost—with little chance of recovery, healing, or rebuilding.
    We also understand memory as a complex function composed of two opposing elements: remembering and forgetting. Does memory truly exist? Or is it an unconscious act of avoidance, the recollection of a traumatic event? How do we remember? Do we remember through our senses or through our bodies? Is remembering a perception of the mind or the heart? What is remembering? But there are also encompass moments when we can experience happiness and relaxation. Yet these moments, too, are fleeting and fade with time. This work also reflects autobiographical elements. My personal experiences with chronic mental illness, hearing problems, and other health issues in the past influence my work. I approach the world of sounds, rhythms, and music in a different way. Under certain circumstances, the chaotic situations, sounds, voices, and visions in my mind can create a temporary space where things behave, act, and interact differently, and do not obey the normal rules of everyday life. This sound piece is composed to follow a recurring pattern, beat, and rhythm. The calm and slow rhythm avoids any stimuli that could trigger chaos in my mind and hearing, and allows me to remember better times.
Featuring:

Johannes Christopher Gerard

(Netherlands/Germany)

Born in Cologne, Germany.  Currently reside in The Hague, Netherlands. Works as interdisciplinary and multimedia artist.

Studied at Applied  School of Printmaking and Design , Cologne, Germany and at Dun Laogharie School of Art and Design, (IDAT) Dublin, Ireland.

Until today lived and worked in different countries in Europe, Far East, North and South Americas, West Africa and Australia.

Since completing his training, he has regularly participated in exhibitions, projects, video and sound art events, including throughout Europe, the Near and Middle East, Southeast Asia, the Far East, Australia, Africa, Central America, and North and South America.

Through the collaboration in 2014 with dancer Tsai Hsin-Ying (Kaohsiung, Taiwan) and performance artist Kao Yi (Tainan, Taiwan)during the “Silent Crossing Border” project at Soulangh Culture Park in Tainan, Taiwan starts conducting first video films and performance pieces. From this project on his work and artistic visions began to focus on interdisciplinary, multi media and collaboration projects.

Since 2014 to the present day, regular collaborative projects have been carried out with artists from the fields of visual and performing arts, musicians, poets, educators and scientists from various cultural backgrounds.

In 2022, he participated in “Acoustic Interiors,” a sound project implemented by German sound artist Anne Wellmer in The Hague, Netherlands. Until this project, he had never explored sound as an independent medium. Up until then, he had always associated sound with his video works and not considered it a separate and equal medium.

Contact: 

info@johannesgerard.com

https://www.johannesgerard.com/english/audiovisual/sound-tone
2026

SoundUp

Margherita Brillada

Leonie Roessler

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Colaboración Cubana

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Ü

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22-24 May 2026 - 48hours of Radio Art +6
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